Tuesday, December 31, 2019
Literary Criticism of The Namesake - 8108 Words
Gogols Namesake: Identity and Relationships in Jhumpa Lahiris The Namesake Author: Judith Caesar Allusions to Nikolai V. Gogol and his short story The Overcoat permeate Jhumpa Lahiris novel The Namesake, beginning with Gogols being the name the protagonist is called through most of the book. Yet few of the reviewers of the novel mentioned Nikolai Gogol at all in their discussions of the novel, except to describe the protagonist Gogols loathing of his name, or to quote without comment or explanation Dostoevskis famous line, We all came out of Gogols Overcoat. So far, no one has looked beyond the surfaces to examine the significance of the allusions to Gogol that are so much a part of the fabric of Lahiris novel. Without theâ⬠¦show more contentâ⬠¦He becomes a new man, noticing women, for instance, when before he would forget where he was while crossing the street. As he is coming back from this uncharacteristic outing, his overcoat is stolen. When he reports the loss to a local dignitary (on his co-workers advice--no idea is his own), he is bullied and insulted for his temerity in approaching such an important person. Tellingly, the Very Important Person demands, Do you realize, sir, who you are talking to? (Gogol 263), as if he didnt know who he was himself, without its being reconfirmed by others fear of him. Exposed to the cold once again, the overcoatless Akaky then catches a fever and dies, but this is not the end of the story. Shortly after Akakys death, a living corpse who looks like Akaky begins haunting the same square in which Akaky was robbed, but this time as a stealer of overcoats rather than as a victim. One of this Akakys victims is the same Very Important Person who bu llied him, who had been mildly regretting his harshness, and who is now frightened into real repentance. The last we hear of Akaky and his ghost is when a policeman sees a burly man whom he takes to be the ghostly overcoat thief, accosts him, and finds instead a man who is clearly not Akaky, but may be the original thief who robbed him. Its a strange story, suggesting very non-American ideas about identity and the undesirability of having a fixed identity. The overcoat that Akaky buys atShow MoreRelatedHuck Finn Literary Criticism1498 Words à |à 6 PagesIn Huckleberry Finn, Mark Twain portrays his main character and the novelââ¬â¢s namesake, a deeply complex individual, even as a child. He has obvious abandonment issues and continues to struggle with finding his place in society. Huck starts by trying to fit in with Tom and a band of young boys, but eventually finds true companionship in a slave named Jim. Huck continues in his struggles as his moral beliefs conflict with the moral beliefs of the society of his time. This conflict comes from Huck beingRead MoreThe Role of Women in Portrait of the Artist as a Young Man Essay2493 Words à |à 10 Pagesout of life (Joyce 434). They deliver the raw experience he transforms and refines into art. The key to understanding the relationship between women, sex, experience, and creation lies in Stephens association of himself with his mythological namesake, Daedalus. By establishing a link between himself and the ancient inventor, he makes apparent the parallel elements of their two stories -- punishment, falling, women -- and their relationship to his own artistic creation. Pasiphae, wife of KingRead MoreThe Spectrum Of Human Nature Essay1639 Words à |à 7 PagesBlair Hu Dr. Madon Literary Explorations III 25 October 2016 The Spectrum of Human Nature Iago, the main villain of William Shakespeareââ¬â¢s Othello, is a manipulative mastermind, able to weave an intricate web of lies that eventually leads to the death of the namesake of the play, Othello. Iago provides a multitude of rationales which explain his motivations for his deeds through sprawling soliloquies, such as the suspicion that Othello might be sleeping with his wife, Emilia, or that Othello deniesRead MoreEssay about Immortal Ideas In A Worn Path2029 Words à |à 9 Pagesparticipate in their system (Moberly 123). Only after the nurse asks if her grandson is dead does she speak up and blame the silence on her old age, memory, and ignorance. She had to swallow her pride to get the medicine to protect her ââ¬Å"mythological namesakeâ⬠(Moberly 123). Phoenix knows how to handle herself in any situation due to her age, wisdom, and lifetimes of accumulated wisdom. 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Both are aloof and solitary figures, one existing for the sake of her beauty, the other forgotten and nearly invisible in her self-created world of obsession and fantasy (ChaseRead MoreTheodor Geisel2528 Words à |à 11 Pagesconquer entire pages, and he realized graduate school was simply not for him. In the short time spent there, though, he met Helen Palmer, and fell in love. The two were married in 1927, and throughout their relationship she supported his artistic and literary career, and helped him create films and write books (21-27). Helen and Theodor Geisel moved to New York City, and Geiselââ¬â¢s career flourished there. His fist success was as a cartoonist for Judge magazine. Following a cartoon which jokingly featuredRead MoreThe Hours - Film Analysis12007 Words à |à 49 Pagesturn-of-the-millennium terms. The London upper-class wife Clarissa Dalloway receiving illustrious guests in the evening is the model for Clarissa Vaughan giving a small party for her friend Richard, who has just won the Carrouthers Prize in recognition of his literary merits. It was also Richards idea to name her after a great figure in literature, Mrs. Dalloway, on the one hand, because of her existing first name and, on the other hand, because he thought that she was destined to charm, to prosper (10-11)Read MoreLiterary Analysis: Sweat by Zora Neale Hurston Essay1974 Words à |à 8 Pagesback against her Grandmother for all of her rules. Although she means her no harm, the act itself is literally taking a dominant hand to her Grandmother. This act of empowerment proves that little Isis Watts is more than capable of living up to her namesake. The white couple brings another interesting twist to the story. Susan Meisenhelder finds the white coupleââ¬â¢s response to Isis condescending, ââ¬Å"blind to her internal aspirations and frustration they see her only as ââ¬ËIsis the Joyfulââ¬â¢, the carefree
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